I was rooting through the corpse-strewn marshes of the Film Score Monthly message board (you will never find a more wretched hive of scum and villainy) a few weeks back, and I came across a post from esteemed film music journalist Doug Adams (of the Music of the Lord of the Rings book fame). It was in the midst of a 2005 thread in which board members hotly debated whether Film Score Monthly could survive as an online venture (it has, and was my portal into writing about film music).