“Gillian always had a great sense of music,” says Newman. “Do you remember a movie she did called Mrs. Soffel? Mark Isham did the score, and it was an amazing use of music. It was clear to me that Gillian had developed ears and she was interested in new sounds and all that. I wanted to do Mrs. Soffel back in the day, and Little Women was like 11 years later. Gillian was always a director I had my eye on, just because I loved the way she used music.”
Little Women is one of those scores that just sounds like liquefied Christmas. You put it on and snow starts falling, the smell of pine and burning wood fill the room, and you’re suddenly transported to Louisa May Alcott’s Orchard House in Concord. The music tells its own story—about growing up, family bonds, painful losses and reunions, the passing of seasons and the unforgiving march of time—all set in the particular period of 19th century New England.